Cultural policy intersects with political, economic, and socio-cultural dynamics at all levels of society, placing high and often contradictory expectations on the capabilities and capacities of the media, the fine, performing, and folk arts, and cultural heritage. These expectations are articulated, mobilised and contested at ? and across ? a global scale. As a result, the study of cultural policy has firmly established itself as a field that cuts across a range of academic disciplines, including sociology, cultural and media studies, economics, anthropology, area studies, languages, geography, and law. This Routledge Handbook of Global Cultural Policy sets out to broaden the field?s consideration to recognise the necessity for international and global perspectives.
The Economics of Cultural Policy free download
The book explores how cultural policy has become a global phenomenon. It brings together a diverse range of researchers whose work reveals how cultural policy expresses and realises common global concerns, dominant narratives, and geopolitical economic and social inequalities. The sections of the book address cultural policy?s relation to core academic disciplines and core questions, of regulations, rights, development, practice, and global issues.
The Journal of Cultural Management and Cultural Policy is dedicated to international perspectives that address a wide range of issues in cultural management and cultural policy research and practice. We invite articles that reflect on organizational structures of creative enterprises, economic and managerial issues in the arts, cultural policy in all its dimensions, as well as creative and aesthetic processes in cultural production, distribution and perception.
For citizens to give their full support to, and participate fully in, European integration, greater emphasis should be placed on their common cultural values and roots as a key element of their identity and their membership of a society founded on freedom, equity, democracy, respect for human dignity and integrity, tolerance and solidarity, in full compliance with the Charter of Fundamental Rights of the European Union.
The rise of creative industries requires new thinking in communication, media and cultural studies, media and cultural policy, and the arts and information sectors. The Creative Industries sets the agenda for these debates, providing a richer understanding of the dynamics of cultural markets, creative labor, finance and risk, and how culture is distributed, marketed and creatively reused through new media technologies. This book:
Recognizing that, in accordance with the Universal Declaration of Human Rights, the ideal of free human beings enjoying freedom from fear and want can only be achieved if conditions are created whereby everyone may enjoy his economic, social and cultural rights, as well as his civil and political rights,
2. The steps to be taken by a State Party to the present Covenant to achieve the full realization of this right shall include technical and vocational guidance and training programmes, policies and techniques to achieve steady economic, social and cultural development and full and productive employment under conditions safeguarding fundamental political and economic freedoms to the individual.
Learn More STUDY REGION MAPBrowse our participatingstudy regions anddownload a one pageeconomic impact summaryfrom your local area. AEP IV CALCULATORA free simple tool toestimate the economicimpact of your nonprofitarts and culture organizationon your local economy.Featured Multimedia Arts & Economic Prosperity IV: An Introduction Randy Cohen, Vice President of Research and Policy, explains one of our most powerful research studies and advocacy tools: the Arts & Economic Prosperity study. (3:30)
This paper, commissioned and funded by the Ministry for Culture and Heritage, seeks to clarify the understanding of value in the cultural context, using economics concepts. It develops an economic framework for thinking about value in the cultural context and examines how well various valuation techniques are able to account for such values.
In 1980, when Mercatus got its start in supporting graduate study of economics, its initial group consisted of just three students. Today, Mercatus is the largest supporter of graduate students at Mason and offers fellowships at all levels of study, both for students at Mason and other colleges and universities around the world. Many of our alumni go on to pursue influential careers in academia, government, and policymaking.
The International Journal of Media and Cultural Politics (MCP) is a peer-reviewed journal aiming at analysing social and cultural communication processes with an interdisciplinary approach. MCP pays attention to contemporary issues striving to encourage academic responses to pressing world events, offering policy-oriented thinking.The content focus is critical, in-depth analysis and engaged research of the intersections of communication and media studies, sociology, politics, economics and cultural studies with the aim of keeping academic analysis in dialogue with the practical world of communications, culture and politics. The journal publishes theoretical and empirical contributions from a wide and diverse community of researchers, and from any methodological and epistemological approach.
The objective of the Journal is to stimulate the debate on the topics of cultural management and cultural policy among scholars, educators, policy makers and cultural managers. The Journal is based on a multidisciplinary perspective and aims at connecting theory and practice in the realm of the cultural sector.
This account was built by identifying, analyzing and separating out detailed data from existing BEA statistics. Pulling together the arts and cultural data in one place paints a statistical picture that's valuable to state and federal policymakers, businesses, arts organizations, analysts, economists, and others.
Abstract:This study aims to examine the impact of social tolerance of cultural diversity, and the ability to speak widely spoken languages, on economic performance. Based on the literature, the evidence is still controversial and unclear. Therefore, the study used panel data relating to (99) non-English speaking economies during the time period between 2009 and 2017. Following the augmented Solow model approach, the related equation was expanded, in this study, to include (besides human capital) social tolerance, the English language (as a lingua franca) and the level of openness. The model was estimated using the two-step system GMM approach. The results show that social tolerance of diversity and English language competence have a positive, but insignificant impact on the economy. Regarding policy implications, government and decision-makers can avoid the costs deriving from cultural diversity by adopting democratic and effective institutions that aim to achieve cultural justice and recognition, which, in turn, enhance the level of tolerance, innovation and productivity in the economy. Moreover, to ease intercultural communication within heterogeneous communities, it is necessary to invest in enhancing the quality of second language education which is necessary to make society more tolerant and the country more open to the global economy.Keywords: economic growth; social tolerance; cultural diversity; English proficiency; human capital
Dr. Clare McAndrew is a cultural economist who specializes in the arts, antiques and collectibles markets. She completed her PhD in economics at Trinity College Dublin in 2001, where she also lectured and taught economics for four years. In 2002, Clare joined US firm Kusin & Company, a boutique investment banking firm specializing in art investment, as chief economist. After three years in the US, Clare returned to Europe in 2005, and continued her work in the art market in a private research and consulting capacity for a global client base.
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Cities around the world have become intensely suburbanized. Several decades of profound demographic growth and urban restructuring have rapidly transformed the morphology and use of suburbs; yet, as the chapter argues, urban cultural policy and planning have inadequately grappled with this suburban structural and cultural complexity. Since the closing decades of the twentieth century, a fast-policy model of neoliberal cultural urbanism has been internationally deployed that targets the central city as the key site of creativity and innovation to the neglect of the suburbs. Such culture-led, amenity-driven urban revitalization strategies are formulated to secure competitive advantage by prioritizing the clustering of cultural and creative industries in the inner-city as a way to foster innovation and the symbolic dimensions of creative cities. The chapter reveals that what is often lost on policymakers in this paradigm of prescriptive creative urban policy are the socio-spatial divisions that are accentuated between city and suburb and between haves and have-nots. 2ff7e9595c
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