Helena fakes her own death. Bertram, thinking he is free of her, comes home. He tries to marry a local lord's daughter, but Diana shows up and breaks up the engagement. Helena appears and explains the ring swap, announcing that she has fulfilled Bertram's challenge; Bertram, impressed by all she has done to win him, swears his love to her. Thus all ends well.
There is no evidence that All's Well That Ends Well was popular in Shakespeare's own lifetime and it has remained one of his lesser-known plays ever since, in part due to its unorthodox mixture of fairy tale logic, gender role reversals and cynical realism. Helena's love for the seemingly unlovable Bertram is difficult to explain on the page, but in performance, it can be made acceptable by casting an extremely attractive actor and emphasising the possibility of a homosexual relationship between Bertram and the "clothes horse" fop, Parolles: "A filthy officer he is in those suggestions for theyoung earl." (Act III Sc5.) [5] This latter interpretation also assists at the point in the final scene in which Bertram suddenly switches from hatred to love in just one line. This is considered a particular problem for actors trained to admire psychological realism. However, some alternative readings emphasise the "if" in his equivocal promise: "If she, my liege, can make me know this clearly, I'll love her dearly, ever, ever dearly." Here, there has been no change of heart at all.[6] Productions like London's National Theatre in 2009 have Bertram make his promise seemingly normally, but then end the play hand-in-hand with Helena, staring out at the audience with a look of "aghast bewilderment" suggesting he only relented to save face in front of the King.[7] A 2018 interpretation from director Caroline Byrne at the Sam Wanamaker Playhouse, London, effects Bertram's reconciliation with Helena by having him make good his vow (Act 2 Scene 2) of only taking her as his wife when she bears his child; as well as Bertram's ring, Helena brings their infant child to their final confrontation before the king.[8]
All's Well Ends Well 2011 Movie 74
The peak-end memory bias has been well documented for the retrospective evaluation of pain. It describes that the retrospective evaluation of pain is largely based on the discomfort experienced at the most intense point (peak) and at the end of the episode. This is notable because it means that longer episodes with a better ending can be remembered as less aversive than shorter ones; this is even if the former had the same peak in painfulness and an overall longer duration of pain. Until now, this bias has not been studied in the domain of anxiety despite the high relevance of variable levels of anxiety in the treatment of anxiety disorders. Therefore, we set out to replicate the original studies but with an induction of variable levels of anxiety. Of 64 women, half watched a clip from a horror movie which ended at the most frightening moment. The other half watched an extended version of this clip with a moderately frightening ending. Afterward, all participants were asked to rate the global anxiety which was elicited by the video. When the film ended at the most frightening moment, participants retrospectively reported more anxiety than participants who watched the extended version. This is the first study to document that the peak-end bias can be found in the domain of anxiety. These findings require replication and extension to a treatment context to evaluate its implications for exposure therapy. 2ff7e9595c
Comments